Eboni Fondren laments she was “born in the wrong decade” on the opening selection of her new album. Consistent with the nostalgic sentiment, the vocalist basks in a throwback form of jazz on The Journey: To Kansas City with Love.
Fondren recalls her apprenticeship with the organist Everette DeVan on the autobiographical introductory song. Fondren’s vibrant personality and rich voice have since become widely admired. Kansas City standouts including James Albright, Chris Hazelton and Mark Lowrey help Fondren realize her vision on the live recording made at the Uptown Lounge.
Contemporary accents such as the prominent electric bass on “Angel Eyes” don’t detract from her old-school sensibility. Fondren originals like the Broadway-ready “Hollow” hold their own alongside the standards “Satin Doll,” “Boulevard of Broken Dreams” and “Angel Eyes.”
The album is an agreeable amalgamation of the bluesy form of jazz associated with Kansas City. Fondren aptly subtitled the album “To Kansas City with Love.” The feeling is mutual in the storied jazz town.